Valerio Adami *
(born in Bologna in 1935)
Studio per “Il gilet di Lenine”, 1972, signed, dated and titled on the reverse, acrylic on canvas, 97 x 130 cm, framed
This work is accompanied by a photo certificate signed by the artist and a letter from the artist
Provenance:
Galleria La Nuova Città, Brescia (label on the reverse)
Galleria Sant’Agostino, Turin,13 November 2001, lot 478 (certificate available)
Giò Arte, Mestre
Galleria Mazzoleni, Turin (letter from the artist)
European Private Collection
Exhibited:
Pieve di Cento (Bo) 2007, Magi Museo d’Arte delle Generazioni del ‘900 (label on the reverse)
“Although its structure is singular, no longer, however, coming under what consciousness or perception as singularity, each of Adami’s drawings is catched by an event.
A “global” event, as Genet would say. I would add telescoped, dramaturgy depending on the violent intrusion of the optical apparatus which from afar gathers and upsets, makes the one collide with the other, as much as it depends on the event whose narrative it precipitates.”
Jacques Derrida about Adami’s work, The Truth in Painting (1978)
27.11.2018 - 18:00
- Dosažená cena: **
-
EUR 35.000,-
- Odhadní cena:
-
EUR 28.000,- do EUR 38.000,-
Valerio Adami *
(born in Bologna in 1935)
Studio per “Il gilet di Lenine”, 1972, signed, dated and titled on the reverse, acrylic on canvas, 97 x 130 cm, framed
This work is accompanied by a photo certificate signed by the artist and a letter from the artist
Provenance:
Galleria La Nuova Città, Brescia (label on the reverse)
Galleria Sant’Agostino, Turin,13 November 2001, lot 478 (certificate available)
Giò Arte, Mestre
Galleria Mazzoleni, Turin (letter from the artist)
European Private Collection
Exhibited:
Pieve di Cento (Bo) 2007, Magi Museo d’Arte delle Generazioni del ‘900 (label on the reverse)
“Although its structure is singular, no longer, however, coming under what consciousness or perception as singularity, each of Adami’s drawings is catched by an event.
A “global” event, as Genet would say. I would add telescoped, dramaturgy depending on the violent intrusion of the optical apparatus which from afar gathers and upsets, makes the one collide with the other, as much as it depends on the event whose narrative it precipitates.”
Jacques Derrida about Adami’s work, The Truth in Painting (1978)
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Post-War e Současné umění I |
| Typ aukce: | Salónní aukce |
| Datum: | 27.11.2018 - 18:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 17.11. - 27.11.2018 |
** Kupní cena vč. poplatku kupujícího a DPH
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