Hans Staudacher *
(born in St. Urban in 1923)
“Frau Meditation”, signed, dated “H. Staudacher 59”, on the reverse on the stretcher and on the canvas titled, dated, signed Frau Meditation Frau Meditation 59 H. Staudacher and H. Staudacher 1959 Meditation, among others inscribed with: “Frau Fraufrau... and mony mony”, oil on canvas,
164 x 185 cm, framed
Provenance:
Baukunst, Cologne (label on the reverse)
Collection, Austria
...in Paris, Staudacher was heavily influenced by the furore-generating George Mathieu, who was also known to paint with his pistol. Mathieu had studied mathematics, an initially little-known fact; the classical proportions of geometry often underlie his pictures.
Staudacher’s intuitive gestural painting is certainly not grounded in mathematically calculated movements. Thus space was not primary for him in the way it was for Mathieu, but rather time, which admittedly cannot do without space, whether as background or as a foil. In the catalogue to an exhibition in the “Galerie le Soleil dans la Tête,” located in rue Vaugirard, which was often depicted in films of this era, Henri Chopin described Staudacher as one of those painters who seek “la sensation des couleurs, des traits, des signes” in their work and beyond, in order to capture and control the fleeting moment: “Il brûle en ses sauts et danse ... en plein ciel.” Chopin is here describing Staudacher’s situation: alone and without assurances. Jean Jacques Lêvèque spoke of Staudacher’s “highly strung sensitivity” and as early as 1960 (!) of a “disintegration, not just of shapes but also of representations...”
Doris Schmidt in: Hans Staudacher, Schrift und Geste, die fünfziger Jahre, Galerie Klewan, 1991
Expert: Mag. Elke Königseder
Mag. Elke Königseder
+43-1-515 60-358
elke.koenigseder@dorotheum.at
05.06.2019 - 17:00
- Dosažená cena: **
-
EUR 25.300,-
- Odhadní cena:
-
EUR 22.000,- do EUR 32.000,-
Hans Staudacher *
(born in St. Urban in 1923)
“Frau Meditation”, signed, dated “H. Staudacher 59”, on the reverse on the stretcher and on the canvas titled, dated, signed Frau Meditation Frau Meditation 59 H. Staudacher and H. Staudacher 1959 Meditation, among others inscribed with: “Frau Fraufrau... and mony mony”, oil on canvas,
164 x 185 cm, framed
Provenance:
Baukunst, Cologne (label on the reverse)
Collection, Austria
...in Paris, Staudacher was heavily influenced by the furore-generating George Mathieu, who was also known to paint with his pistol. Mathieu had studied mathematics, an initially little-known fact; the classical proportions of geometry often underlie his pictures.
Staudacher’s intuitive gestural painting is certainly not grounded in mathematically calculated movements. Thus space was not primary for him in the way it was for Mathieu, but rather time, which admittedly cannot do without space, whether as background or as a foil. In the catalogue to an exhibition in the “Galerie le Soleil dans la Tête,” located in rue Vaugirard, which was often depicted in films of this era, Henri Chopin described Staudacher as one of those painters who seek “la sensation des couleurs, des traits, des signes” in their work and beyond, in order to capture and control the fleeting moment: “Il brûle en ses sauts et danse ... en plein ciel.” Chopin is here describing Staudacher’s situation: alone and without assurances. Jean Jacques Lêvèque spoke of Staudacher’s “highly strung sensitivity” and as early as 1960 (!) of a “disintegration, not just of shapes but also of representations...”
Doris Schmidt in: Hans Staudacher, Schrift und Geste, die fünfziger Jahre, Galerie Klewan, 1991
Expert: Mag. Elke Königseder
Mag. Elke Königseder
+43-1-515 60-358
elke.koenigseder@dorotheum.at
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Post-War and Contemporary Art I |
| Typ aukce: | Salónní aukce |
| Datum: | 05.06.2019 - 17:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 25.05. - 05.06.2019 |
** Kupní cena vč. poplatku kupujícího a DPH
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