Vaše verze internetového prohlížeče není aktuální!

Abyste byli schopni využívat plně naše internetové stránky, měli byste si nainstalovat aktuální verzi prohlížeče. Seznam doporučených prohlížečů naleznete zde.



Čís. položky 269


Giovanni Martinelli


(Florence 1610–1659)
Justice forces Fortune to submit to goddess Nemesis,
oil on canvas, octagonal, 120.5 x 96.5 cm, framed

We are grateful to Sandro Bellesi for suggesting the attribution (written communication).

The attribution of the present painting is based on the comparison of the figures, and in particular, the figure wearing a crown, with those in other paintings by the artist, in particular the Saint Cecilia in a private collection (see F. Baldassari, Le opera di devozione pubblica e privata di Giovanni Martinelli, in: op. cit. Baldinotti et al., 2011, p. 84, fig. 19) and the Three Graces with Robilant & Voena, London (see S. Bellesi, I quadri allegorici, in: op. cit. Baldinotti et al., 2011, p. 54, fig. 13). Due to the close points of comparison with these paintings, which date to the 1640s and early 1650s, it is possible to date the present painting to the same period.

Expert: Mark MacDonnell Mark MacDonnell
+43 1 515 60 403

mark.macdonnell@dorotheum.at

10.11.2020 - 16:00

Odhadní cena:
EUR 15.000,- do EUR 20.000,-

Giovanni Martinelli


(Florence 1610–1659)
Justice forces Fortune to submit to goddess Nemesis,
oil on canvas, octagonal, 120.5 x 96.5 cm, framed

We are grateful to Sandro Bellesi for suggesting the attribution (written communication).

The attribution of the present painting is based on the comparison of the figures, and in particular, the figure wearing a crown, with those in other paintings by the artist, in particular the Saint Cecilia in a private collection (see F. Baldassari, Le opera di devozione pubblica e privata di Giovanni Martinelli, in: op. cit. Baldinotti et al., 2011, p. 84, fig. 19) and the Three Graces with Robilant & Voena, London (see S. Bellesi, I quadri allegorici, in: op. cit. Baldinotti et al., 2011, p. 54, fig. 13). Due to the close points of comparison with these paintings, which date to the 1640s and early 1650s, it is possible to date the present painting to the same period.

Expert: Mark MacDonnell Mark MacDonnell
+43 1 515 60 403

mark.macdonnell@dorotheum.at


Horká linka kupujících Po-Pá: 9.00 - 18.00
old.masters@dorotheum.at

+43 1 515 60 403
Aukce: Obrazy starých mistrů
Datum: 10.11.2020 - 16:00
Místo konání aukce: Vídeň | Palais Dorotheum
Prohlídka: 04.11. - 10.11.2020