Pablo Picasso *
Pablo Picasso *
(Malaga 1881–1973 Mougins)
“Tête de chévre de profil”, 1952, round dish, white earthenware clay, engobes under partial brushed glaze, patinated ground, verso stamped ‘Madoura Plein Feu’ and ‘Empreinte originale de Picasso’, from the edition of 100 examples, diam. 41.5 cm
Provenance:
Private Collection France
Literature:
Georges Bloch, Pablo Picasso, Catalogue de l’oeuvre gravé céramique, 1949- 1971, Vol. III, Bern 1972, no. 30
Alain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947–1971, Paris 1988, no. 151
Pablo Picasso expanded his artistic repertoire in the 1940s to include ceramics, marking a significant phase in his creative development. In the Madoura workshop in Vallauris, Southern France, he began creating a wide range of ceramic works in 1946. They included both functional and purely aesthetic objects. Picasso experimented with form and decoration, blending traditional ceramic techniques with his own innovative approach. Notably, his playful use of symbolism and figure, often incorporating humorous and surreal elements, stands out. Picasso’s ceramics are not only an extension of his broader artistic practice but also a significant contribution to 20th-century Modern Art, blurring the lines between art and craft.
Expert: Mag. Elisabeth Wallner
Mag. Elisabeth Wallner
+43-1-515 60-766
Elisabeth.Wallner@dorotheum.at
- Dosažená cena: **
-
EUR 26.000,-
- Odhadní cena:
-
EUR 12.000,- do EUR 18.000,-
- Vyvolávací cena:
-
EUR 12.000,-
Maximální nabídka je
Zbývající čas nabídek: Aukce je ukončena
Pablo Picasso *
(Malaga 1881–1973 Mougins)
“Tête de chévre de profil”, 1952, round dish, white earthenware clay, engobes under partial brushed glaze, patinated ground, verso stamped ‘Madoura Plein Feu’ and ‘Empreinte originale de Picasso’, from the edition of 100 examples, diam. 41.5 cm
Provenance:
Private Collection France
Literature:
Georges Bloch, Pablo Picasso, Catalogue de l’oeuvre gravé céramique, 1949- 1971, Vol. III, Bern 1972, no. 30
Alain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947–1971, Paris 1988, no. 151
Pablo Picasso expanded his artistic repertoire in the 1940s to include ceramics, marking a significant phase in his creative development. In the Madoura workshop in Vallauris, Southern France, he began creating a wide range of ceramic works in 1946. They included both functional and purely aesthetic objects. Picasso experimented with form and decoration, blending traditional ceramic techniques with his own innovative approach. Notably, his playful use of symbolism and figure, often incorporating humorous and surreal elements, stands out. Picasso’s ceramics are not only an extension of his broader artistic practice but also a significant contribution to 20th-century Modern Art, blurring the lines between art and craft.
Expert: Mag. Elisabeth Wallner
Mag. Elisabeth Wallner
+43-1-515 60-766
Elisabeth.Wallner@dorotheum.at
| Aukce: | Edice |
|---|---|
| Typ aukce: | Online aukce |
| Datum: | |
| Místo konání aukce: | Vienna | Palais Dorotheum |
| Prohlídka: | 31.05. - 05.06.2025 |
** Kupní cena vč. poplatku kupujícího a DPH
Není již možné podávat příkazy ke koupi přes internet. Aukce se právě připravuje resp. byla již uskutečněna.
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