(Milan 1930–2002)
Topos Suite, 1974, signed and dated Aricò 1974 on the reverse, acrylic on shaped canvases, 170 x 220 x 5 cm

Provenance:
Galleria d’Arte Elleni, Bergamo
Artetivù, Marcon, Venice
European Private Collection

Exhibited:
Bergamo, Rodolfo Aricò, Galleria d’Arte Elleni, March-7 April 2007, exh. cat. pp. 32–33 with ill.
Marcon (VE), Pittura come Pittura. L’Arte analitica degli anni ’70, 25 July-24 August 2014, exh. cat. pp. 10–11 with ill. (with wrong date)

„(Aricò’s works) are active presences laden with a mental tension that permeates them without submerging them ---– it is the irrational, emotional energy of creation“
Luca Massimo Barbero in „Rodolfo Aricò. Uno sguardo senza soggezione”

Provenance:
Galleria d’Arte Elleni, Bergamo
Artetivù, Marcon, Venice
European Private Collection

Exhibited:
Bergamo, Rodolfo Aricò, Galleria d’Arte Elleni, March-7 April 2007, exh. cat. pp. 32–33 with ill.
Marcon (VE), Pittura come Pittura. L’Arte analitica degli anni ’70, 25 July-24 August 2014, exh. cat. pp. 10–11 with ill. (with wrong datation)

„(Aricò’s works) are active presences laden with a mental tension that permeates them without submerging them ---– it is the irrational, emotional energy of creation“
Luca Massimo Barbero in „Rodolfo Aricò. Uno sguardo senza soggezione”