Paolo Scheggi *
(Florence 1940–1971 Rome)
Intersuperficie curva dall’azzurro, 1966, light blue acrylic on superimposed canvases, 70 x 70 x 6.8 cm, on stretcher
Photo certificate:
Associazione Paolo Scheggi, Milan, archive no. APSM052/0005, Milan, 24 September 2014
Provenance:
Galleria d’arte del Naviglio, Milan (label on the reverse)
Romano Lorenzin Collection, Milan
Galerie der Stadt, Stuttgart
Robilant + Voena, Milan
European Private Collection
Exhibited:
Milan, Paolo Scheggi. Intercamera plastica, Galleria del Naviglio, 9 – 22 January 1967 (label on the reverse)
Literature:
Venice, Mostra d’inaugurazione della Galleria del Naviglio, 1968, exh. cat. with ill. (inverted image)
Luca Massimo Barbero, Gillo Dorfles, Scheggi. La breve e intensa stagione di Paolo Scheggi, Parma, 2002, p. 175, n. PS036, with ill.
Franca Scheggi Dall’Acqua, Giuseppe Niccoli, Paolo Scheggi, Parma 2010, p. 39 with ill. (exh. view)
Francesca Pola, Paolo Scheggi. The Humanistic Measurement of Space, Skira Rizzoli Editions, New York 2014, ill. no. 92, pp. 103, 182
Luca Massimo Barbero, Paolo Scheggi, Catalogue Raisonné, Skira (ed.), Geneva - Milan 2016, p. 273, no. 66 T 72 with ill.
The objects are squares or derived from operations on a square. The space is subdivided by rotations of logarithmic spirals, logarithmic parabolas, modular ratios and continuums. The inscribed forms have structures that are elemental and [come from sources that are] spiritual, not methodological.
Paolo Scheggi
Photo certificate:
Associazione Paolo Scheggi, Milan, archive no. APSM052/0005, Milan, 24 September 2014
Provenance:
Galleria d’arte del Naviglio, Milan (label on the reverse)
Romano Lorenzin Collection, Milan
Galerie der Stadt, Stuttgart
Robilant + Voena, Milan
European Private Collection
Exhibited:
Milan, Paolo Scheggi. Intercamera plastica, Galleria del Naviglio, 9 – 22 January 1967 (label on the reverse)
Literature:
Venice, Mostra d’inaugurazione della Galleria del Naviglio, 1968, exh. cat. with ill. (specular image)
Luca Massimo Barbero, Gillo Dorfles, Scheggi. La breve e intensa stagione di Paolo Scheggi, Parma, 2002, p. 175, n. PS036, with ill.
Franca Scheggi Dall’Acqua, Giuseppe Niccoli, Paolo Scheggi, Parma 2010, p. 39 with ill. (exh. view)
Francesca Pola, Paolo Scheggi. The Humanistic Measurement of Space, Skira Rizzoli Editions, New York 2014, ill. no. 92, pp. 103, 182
Luca Massimo Barbero, Paolo Scheggi, Catalogue Raisonné, Skira (ed.), Geneva - Milan 2016, p. 273, no. 66 T 72 with ill.
The objects are squares or derived from operations on a square. The space is subdivided by rotations of logarithmic spirals, logarithmic parabolas, modular ratios and continuums. The inscribed forms have structures that are elemental and [come from sources that are] spiritual, not methodological.
Paolo Scheggi
22.11.2016 - 18:00
- Realized price: **
-
EUR 204,300.-
- Estimate:
-
EUR 160,000.- to EUR 220,000.-
Paolo Scheggi *
(Florence 1940–1971 Rome)
Intersuperficie curva dall’azzurro, 1966, light blue acrylic on superimposed canvases, 70 x 70 x 6.8 cm, on stretcher
Photo certificate:
Associazione Paolo Scheggi, Milan, archive no. APSM052/0005, Milan, 24 September 2014
Provenance:
Galleria d’arte del Naviglio, Milan (label on the reverse)
Romano Lorenzin Collection, Milan
Galerie der Stadt, Stuttgart
Robilant + Voena, Milan
European Private Collection
Exhibited:
Milan, Paolo Scheggi. Intercamera plastica, Galleria del Naviglio, 9 – 22 January 1967 (label on the reverse)
Literature:
Venice, Mostra d’inaugurazione della Galleria del Naviglio, 1968, exh. cat. with ill. (inverted image)
Luca Massimo Barbero, Gillo Dorfles, Scheggi. La breve e intensa stagione di Paolo Scheggi, Parma, 2002, p. 175, n. PS036, with ill.
Franca Scheggi Dall’Acqua, Giuseppe Niccoli, Paolo Scheggi, Parma 2010, p. 39 with ill. (exh. view)
Francesca Pola, Paolo Scheggi. The Humanistic Measurement of Space, Skira Rizzoli Editions, New York 2014, ill. no. 92, pp. 103, 182
Luca Massimo Barbero, Paolo Scheggi, Catalogue Raisonné, Skira (ed.), Geneva - Milan 2016, p. 273, no. 66 T 72 with ill.
The objects are squares or derived from operations on a square. The space is subdivided by rotations of logarithmic spirals, logarithmic parabolas, modular ratios and continuums. The inscribed forms have structures that are elemental and [come from sources that are] spiritual, not methodological.
Paolo Scheggi
Photo certificate:
Associazione Paolo Scheggi, Milan, archive no. APSM052/0005, Milan, 24 September 2014
Provenance:
Galleria d’arte del Naviglio, Milan (label on the reverse)
Romano Lorenzin Collection, Milan
Galerie der Stadt, Stuttgart
Robilant + Voena, Milan
European Private Collection
Exhibited:
Milan, Paolo Scheggi. Intercamera plastica, Galleria del Naviglio, 9 – 22 January 1967 (label on the reverse)
Literature:
Venice, Mostra d’inaugurazione della Galleria del Naviglio, 1968, exh. cat. with ill. (specular image)
Luca Massimo Barbero, Gillo Dorfles, Scheggi. La breve e intensa stagione di Paolo Scheggi, Parma, 2002, p. 175, n. PS036, with ill.
Franca Scheggi Dall’Acqua, Giuseppe Niccoli, Paolo Scheggi, Parma 2010, p. 39 with ill. (exh. view)
Francesca Pola, Paolo Scheggi. The Humanistic Measurement of Space, Skira Rizzoli Editions, New York 2014, ill. no. 92, pp. 103, 182
Luca Massimo Barbero, Paolo Scheggi, Catalogue Raisonné, Skira (ed.), Geneva - Milan 2016, p. 273, no. 66 T 72 with ill.
The objects are squares or derived from operations on a square. The space is subdivided by rotations of logarithmic spirals, logarithmic parabolas, modular ratios and continuums. The inscribed forms have structures that are elemental and [come from sources that are] spiritual, not methodological.
Paolo Scheggi
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Auction: | Contemporary Art Part I |
Auction type: | Saleroom auction |
Date: | 22.11.2016 - 18:00 |
Location: | Vienna | Palais Dorotheum |
Exhibition: | 12.11. - 22.11.2016 |
** Purchase price incl. charges and taxes
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