Lotto No. 87


Jan Weenix


Jan Weenix - Dipinti antichi

(Amsterdam 1640–1719)
Partridges, songbirds, a duck, a gun and a quailwistle in a parkland landscape,
signed and dated lower centre right: J. Weenix 1695,
oil on canvas, 91.5 x 75 cm, framed

Provenance:
possibly sale, Van der Schleij, Yver, Amsterdam, 9 April 1783, lot 68;
possibly sale, Cornelis Sebille Roos, Jeronimo de Vries, Amsterdam, 28 August 1820, lot 127;
possibly sale, the late S. J. Stinstra of Harlingen and others, Engelbert Michael Engelberts and Albertus Brondgeest, Amsterdam, 22 May 1822, lot 188;
Private collection, France;
art market, London;
sale, Dorotheum, Vienna, 23 October 2018, lot 43;
where acquired by the present owner

Literature:
A. Van Wagenberg, Jan Baptist Weenix and Jan Weenix, Zwolle 2018, pp. 325–27, no. 208

The present painting, dated 1695, is regarded by Anke van Wagenberg, to be the earliest dated version and the finest in quality.

Considering the many versions and copies that exist today, the composition must have been very popular. One version, dated 1697, was auctioned at Lempertz, Cologne (25 November 2000, lot 1277). Van Wagenberg does not consider the Lempertz version to be an autograph, even though it bears a signature. Copies are in the collections of the Bristol Art Museum and in the Holburne Museum in Bath. A sale at Bukowski, Stockholm (31 October 1978) included another version that was possibly formerly in the collection of Lady Biddulph, then with the Art Dealer Goudstikker in 1916, and later auctioned at Pongs in Düsseldorf (17 October 1953, lot 80, as dated 1697).

We are grateful to Anke van Wagenberg for her assistance in cataloguing the present lot.

Esperto: Dr. Alexander Strasoldo Dr. Alexander Strasoldo
+43 1 515 60 403

oldmasters@dorotheum.com

09.06.2020 - 16:00

Prezzo realizzato: **
EUR 40.000,-
Stima:
EUR 50.000,- a EUR 70.000,-

Jan Weenix


(Amsterdam 1640–1719)
Partridges, songbirds, a duck, a gun and a quailwistle in a parkland landscape,
signed and dated lower centre right: J. Weenix 1695,
oil on canvas, 91.5 x 75 cm, framed

Provenance:
possibly sale, Van der Schleij, Yver, Amsterdam, 9 April 1783, lot 68;
possibly sale, Cornelis Sebille Roos, Jeronimo de Vries, Amsterdam, 28 August 1820, lot 127;
possibly sale, the late S. J. Stinstra of Harlingen and others, Engelbert Michael Engelberts and Albertus Brondgeest, Amsterdam, 22 May 1822, lot 188;
Private collection, France;
art market, London;
sale, Dorotheum, Vienna, 23 October 2018, lot 43;
where acquired by the present owner

Literature:
A. Van Wagenberg, Jan Baptist Weenix and Jan Weenix, Zwolle 2018, pp. 325–27, no. 208

The present painting, dated 1695, is regarded by Anke van Wagenberg, to be the earliest dated version and the finest in quality.

Considering the many versions and copies that exist today, the composition must have been very popular. One version, dated 1697, was auctioned at Lempertz, Cologne (25 November 2000, lot 1277). Van Wagenberg does not consider the Lempertz version to be an autograph, even though it bears a signature. Copies are in the collections of the Bristol Art Museum and in the Holburne Museum in Bath. A sale at Bukowski, Stockholm (31 October 1978) included another version that was possibly formerly in the collection of Lady Biddulph, then with the Art Dealer Goudstikker in 1916, and later auctioned at Pongs in Düsseldorf (17 October 1953, lot 80, as dated 1697).

We are grateful to Anke van Wagenberg for her assistance in cataloguing the present lot.

Esperto: Dr. Alexander Strasoldo Dr. Alexander Strasoldo
+43 1 515 60 403

oldmasters@dorotheum.com


Hotline dell'acquirente lun-ven: 10.00 - 17.00
old.masters@dorotheum.at

+43 1 515 60 403
Asta: Dipinti antichi
Tipo d'asta: Asta in sala
Data: 09.06.2020 - 16:00
Luogo dell'asta: Wien | Palais Dorotheum
Esposizione: 02.06. - 09.06.2020


** Prezzo d'acquisto comprensivo di tassa di vendita e IVA

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