(Revello/Cuneo 1904–1936 Turin)
Valori plastici di oggetti, 1928, signed, oil on canvas laid down on cardboard, 49.3 x 54.3 cm, framed

Provenance:
Collection of Alberto Sartoris (1901–1998), Cossonay la Ville, Lausanne (inscribed on the reverse)
Galleria Philippe Daverio, Milan (label on the reverse)
Paolo Baldacci Arte, Milan (stamp on the reverse)
Galleria d’Arte Bergamo, Bergamo (label on the reverse)
Amedeo Porro, Vicenza (label and stamp on the reverse)
Sale Christie’s Milan, 23 November 2005, lot 312 (certificate available)
European Private Collection (acquired at the previous sale)

Exhibited:
Milan, Trentatre artisti futuristi (sala personale), Galleria Pesaro, 5–15 October 1929, no. 82 or 84
Paris, Peintres Futuristes Italiens, Galerie 23, 27 December 1929 – 9 January 1930, no. 70 or no. 75
Bern, Künstler des Neuen Italien, Kunsthalle, 16 March – 4 May 1930, no. 85, titled “Gegenstand in Auflösung”
Cologne, De Stijl-Cercle et Carré, Galerie Gmurzynska, 8 March – May 1974, no. 59a
Turin, Fillia, Galleria Narciso, 6 May-12 June 1976, no. 1
Bergamo, Futurismo & Futuristi, Galleria d’Arte Bergamo, October–November 1996 (label on the reverse)

Literature:
M. Pinottini, no. 2 Scomposizione di oggetti, 1976
P. Baldacci, S. Evangelisti, M. Pinottini (ed.), Fillia e l’avanguardia futurista negli anni del fascismo, Arnoldo Mondadori Editore-Edizioni Philippe Daverio, Milan 1986, p. 244 no. 70 with ill.