porcelain, painted in lifelike colours, life-size sculptural figure of a peacock on a tree stump with applied oak leaves, height 118 cm, model by Johann Joachim Kaendler (1734), underglaze blue crossed swords mark, model no. partly restored, (GO)

The large-scale animal sculptures are among the most spectacular pieces produced by the Meissen Porcelain Manufactory. The early examples are priceless rarities and these models are still produced by the manufactory in a small number of pieces or on individual order.
Both the figure of the "large peacock resting on a high pedestal" offered here, as described by J. J. Kaendler in his 1734 work journal, form number 50, and the matching peacock flapping its wheel, goe back to an extensive group of animal sculptures designed for the famous Japanisches Palais of Augustus the Strong. The inventory of the palace of 1733 mentions 296 large animals and 297 large birds. The idea of this sculpture program refers to the tradition of princely menageries, which were part of the basic equipment of a castle of any self-respecting ruler. Here, live exotic animals were kept and put on display, not only to amaze the public, but also to demonstrate the regent's power over the world.
After the Meissen manufactory had proven that it could match and even surpass Asian porcelain in quality, the crowning achievement of the ambition of Augustus the Strong and his manufactory was probably the production of these large-scale animal sculptures, as a menagerie for eternity, so to speak, made of Saxon porcelain.
The success of this ambitious artistic project depended not only on the designs of the model masters, but also, due to the sheer size of the animal figures, on the technical skills in shaping and firing the porcelain. This challenging project was first entrusted to the court sculptor Gottlieb Kirchner and soon to the most famous and influential modeller of the manufactory, Johann Joachim Kaendler.
The artistic quality of this almost life-size porcelain figure lies in the skilful visual guidance of the design, the technically perfect shaping and the exact naturalism down to the last detail, such as the masterful use of the tree stump to stabilise the bird’s filigree tail.

Lit.:
Wittwer, Samuel: Die Galerie der Meißner Tiere. Die Menagerie August des Starken für das Japanische Palais, Munich 2004, pp. 148–149 and p. 335.