Moyses van Uyttenbroek
(The Hague, active 1615–1647)
The drunken Silenus with the Phrygian Peasants,
signed and dated lower centre: MvW.../Fe/16,
oil on panel, 55 x 71 cm, framed
Provenance:
Collection Efim Schapiro (1899-1977), London;
Sale Christie’s London, 30 March 1979, lot 24;
Private collection, United Kingdom
Literature:
U. Weisner, Die Gemälde des Moyses van Uyttenbroek in Oud Holland, 79, 1964, p. 222, no. 34, fig. 6
Moyses van Uyttenbroek was born in The Hague not long before 1600, where he joined the Guild of St. Luke in 1620. There is no documentary evidence showing that Uyttenbroek visited Italy, however, the works of Adam Elsheimer and the Italianate landscape painters van Poelenburgh and Breenbergh clearly had a strong influence on his work. Like these artists, van Uyttenbroek had a tendency to paint mythological subjects set within imaginary landscapes. He also painted Old Testament subjects and portraits and assisted in the decorations of Honselaarsdijk, which was the hunting castle of Prince Frederik Hendrick of Orange.
The present work illustrates the highly personal figural style that was commonplace in van Uyttenbroek’s works from his early and middle period. This specific style featured strong, clumsy figures with bulging forms and broad, round heads, who often look out of the picture towards the viewer.
Esperto: Damian Brenninkmeyer
Damian Brenninkmeyer
+43 1 515 60 403
oldmasters@dorotheum.com
18.10.2016 - 18:00
- Stima:
-
EUR 10.000,- a EUR 15.000,-
Moyses van Uyttenbroek
(The Hague, active 1615–1647)
The drunken Silenus with the Phrygian Peasants,
signed and dated lower centre: MvW.../Fe/16,
oil on panel, 55 x 71 cm, framed
Provenance:
Collection Efim Schapiro (1899-1977), London;
Sale Christie’s London, 30 March 1979, lot 24;
Private collection, United Kingdom
Literature:
U. Weisner, Die Gemälde des Moyses van Uyttenbroek in Oud Holland, 79, 1964, p. 222, no. 34, fig. 6
Moyses van Uyttenbroek was born in The Hague not long before 1600, where he joined the Guild of St. Luke in 1620. There is no documentary evidence showing that Uyttenbroek visited Italy, however, the works of Adam Elsheimer and the Italianate landscape painters van Poelenburgh and Breenbergh clearly had a strong influence on his work. Like these artists, van Uyttenbroek had a tendency to paint mythological subjects set within imaginary landscapes. He also painted Old Testament subjects and portraits and assisted in the decorations of Honselaarsdijk, which was the hunting castle of Prince Frederik Hendrick of Orange.
The present work illustrates the highly personal figural style that was commonplace in van Uyttenbroek’s works from his early and middle period. This specific style featured strong, clumsy figures with bulging forms and broad, round heads, who often look out of the picture towards the viewer.
Esperto: Damian Brenninkmeyer
Damian Brenninkmeyer
+43 1 515 60 403
oldmasters@dorotheum.com
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| Asta: | Dipinti antichi |
| Tipo d'asta: | Asta in sala |
| Data: | 18.10.2016 - 18:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 08.10. - 18.10.2016 |